Lost civilization – Dunhuang----part three

On the tour personnel, there was one object, flashlight, which is used for visiting. In the dark cave, people followed the guide with one foot shallow one foot deep. Suddenly the guide opened flashlight, and illuminated a beautiful murals, they already began on the images. They certainly were nonchalant to the murals and tourist’s shocking, as there was no exciting in their speech. But the visitors were experiencing some excitement and the attack of the heart. The small flashlight illuminated the great predecessors, but also the image of small ourselves.
We visited one cave by one, all caves had no name except the number: "330 houses, 350 houses, 220 houses" liked a milestone on their long, recording the process of people toward civilization, and creating civilized history. It recorded every dynasty also. Murals of Tang dynasty were undoubtedly the most outstanding in all cave, the content of the richest Tang dynasty was highest skilled. By the Qing dynasty, it was apparent some decline, no spirit, no vivid, as guides said the expression of all figures were like the same as the Empress Dowager Cixi.

Finally, we entered the 17 hole, which is the city. The most important thing in human archaeology in the twentieth century was the discovery of the city of Dunhuang. In 1900, it as if the history offer the twentieth century a gift in that year, the closed door opened to the world.
It is because of Mo Gao Ku Dunhuang, is there a city url=http://www.achinatravel.com/china-travel/china-gansu-dunhuang.asp] Dunhuang[/url], while also, because of the city, is there Mao Gao Ku. Wangdaoshi who is difficult to evaluate opened the door of Dunhuang, Mo Gao Ku more than 10,000 pieces of incalculable treasures were grabbed by foreigners at here.
The door which Wangdaoshi found out was still opened, and nothing was in it. We could hardly imagine that, in this poor cave, had existed such rich cultural deposits; and it was also difficult to judge whether it was a national glory or shame.

At noon, experienced a hearts baptism, all visitors return to the vehicles exhaustedly. In the sunshine, the desert became more inhospitable. One thousand and six hundred ago, Ledun monk saw Fo Kuang on three crisis Hill, then excavated the first cave of Mo Gao Ku. Thousands of years later, a number of stonemen came here from a long and hard journey to create Mo Gao Ku brilliance. I am wondering, in the process, what supported their lives for the faith? So many fine art objects from different nation, different religious beliefs, different artistic approach, and what caused them get together in Dunhuang? Maybe this world is really difficult to explain things too much, we can not find out the answer. We are just the visitors, and we came and went, leaving our astonishment, take some small souvenirs, and then rush toward the next destination, but Mo Gao Ku will always belong to Dunhuang.
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